John Pryor Strength Training for Modern Art

Published by:

john pryor rugby artThe physicality required to create a work of modern art is largely misunderstood by those outside of the world of fine art, and those who are unfamiliar with the level of fitness training artists undertake would certainly be surprised to learn that these artists often implement some of the most effective John Pryor strength programs available to the general public. While the training programs followed by modern artists rarely take on the seriousness of the programs followed by the elite athletes coached by Pryor, the exercises most frequently included in an artist’s program are nonetheless quite challenging.

Although the training programs certainly differ from artist to artist and sometimes drastically so, a large portion of modern artists seem to prefer a full-body approach to training that relies mostly on bodyweight exercises. It’s not terribly uncommon to see an artist’s studio with a specific area dedicated for training sessions that occur either immediately before the artist begins to work or immediately after the artist completes their work. In fact, many artists are happy to declare their belief that doing planks, burpees and pushups each day not only yields a physical benefit but also generates a creative benefit that has an overwhelmingly positive impact on the quality of their artwork.


Recent Theft of Andy Warhol’s Art Reveals Some Karmic Hilarity

Published by:

andy-warhol-149796_960_720There is a great deal of money to be made by selling valuable works of art on the black market, which is why many art thieves are emboldened to take a tremendous amount of risk in stealing art whenever an opportunity happens to become available. The most recent example occurred at a museum that did not have any overnight security, enabling thieves to steal several screen prints made by Andy Warhol. While art thieves are often portrayed as being somewhat sophisticated, Behrman PR pointed out that the perpetrators in this incident may not have had a nuanced understanding of what made these particular prints valuable.

The prints in question were part of Warhol’s “Soup Can” series, and the museum had a full set of the larger version of these prints on display. Many of the original prints were separated from the other prints in the set and subsequently lost or damaged, making a full set quite a rarity and therefore far more valuable than if each print in the set of 10 was sold off individually. Since the art thieves only took seven of the 10 prints and broke up the set by doing so, they failed to fully capitalize on their heist and wound up severely devaluing the seven prints they did secure.

Failing to understand the difference between the value of the full set certainly hinted at the thieves’ lack of sophistication regarding art appraisal, but that is not the most comical aspect of the theft. Instead, it must be laughably noted that the thieves appeared to leave behind the three prints based on nothing more than the appeal of each flavor of soup represented on each art print. At the risk of insulting soup enthusiasts who enjoy cream of mushroom, consommé and pepper pot, the thieves apparently stole the art prints using the same rationale they would have used had they been raiding someone’s pantry.


Nick Alsis on Modern Art’s Transnational Approach

Published by:

man-343674_960_720After spending much of his early writing career agonizing over rejection letters from publishers, Jack Kerouac found himself asking the following question: “Don’t they realize I’m good?” In fact, by the time “On the Road” was finally published — several years after it was originally written — the Beat Generation icon had already finished several other novels that were published in short order due to the public’s overjoyed reaction to Kerouac’s work. According to Nick Alsis, many wonderful modern artists have encountered similar frustrations with the galleries and museums that could grant them a greater degree of exposure and allow the public to weigh in on the artistic value of the work.

It is only recently that some of the leading modern art museums have finally adopted a more transnational approach to modern art, expanding beyond the typical North American and Western European artists that have thus far been the primary focus of gallery showings and museum exhibits. The Guggenheim and the Museum of Modern Art have best reflected this new approach, featuring modernist art from all over the world, with a particular focus on modern art from the Middle East, Asia, Latin America and Africa.


Should Crosswalk Art Be Considered a Public Safety Issue?

Published by:

Several major cities across the United States have taken steps to enliven the appearance of the roadways on which citizens travel each day, hoping that greater exposure to artistic expression will instill a feeling of having a shared identity while also encouraging a sense of civic unity. The citizens in these cities have been nothing but supportive of these policies seeking to beautify the city in which they live, but the Federal Highway Association is beginning to step in against any kind of artwork that could potentially distract drivers, cyclists and pedestrians.

The question that naturally follows is a difficult one to answer. After all, the FHA is simply exercising its duty to protect citizens from the potential dangers posed on the roadways by ensuring that traffic signs and crosswalks are immediately recognizable from a great distance. As 1 Stop Maintenance has demonstrated time and again while serving its clients, preventive maintenance is absolutely critical for an efficiently functioning operation. This holds true across a wide range of circumstances, and it is certainly hard to argue against any guideline that seeks to protect citizens from increased dangers on the roadways.

On the other hand, the art incorporated into the crosswalks has had a profound effect on citizens and seems to have legitimately played a role in improving how they perceive the city and their place in it. This is similar to the beautification and preventive maintenance efforts of a facilities management company like One Stop Maintenance, particularly since businesses are often judged on a wide range of factors that include the appearance and function of their facilities.

Does placing a fleur-de-lis or a rainbow inside the white lines of a crosswalk really create such a distraction that it becomes a pressing public safety issue? The FHA did note that the artwork may reduce the contrast between the white lines and the pavement, and perhaps an agency that spends a great deal of time researching the ideal font for roadway signs knows just how important every last bit of visibility is. Safety should always come first, but there is nothing wrong with hoping that other kinds of citywide art projects will continue to be explored and implemented across the United States.


Longtime Art Enthusiast Anne Welsh Shares Tips for Starting a Collection

Published by:

As a creator and collector of art that can be categorized across an incredibly diverse range of genres, I often find myself surrounded by canvases, prints and sculptures — not to mention all of the experimental work that simply defies categorization. I am quite fortunate in this regard, as I have many friends and acquaintances who are wonderful artists and love to trade something they have created in exchange for something I have created.

As a result, my art collection has grown without much concerted effort, but those who are just entering the art world or are otherwise unfamiliar often ask me for guidance on building an art collection of their own. While I have my own set of beliefs and strategies, I felt it would be wise to turn to a few friends who happen to be longtime collectors of fine works of art to see how their collections grew over the years and if they had any advice or could offer a few words of caution. What I found is that while we were in agreement on several major points, our opinions also differed regarding some of the subtleties and nuances of art collection.

General Guidelines for Getting Started

As someone who has been firmly planted in the world of art since a very young age, I didn’t realize that many people are unsure where to even look in hopes of discovering the kind of art that inspires them to begin collecting. Anne Welsh recommends that new collectors start with local artists by attending local gallery showings or art walks and talking to the artists whose work they find most appealing. In talking to these artists about their artistic influences, it is easy to find out about similar artists who will also be of interest.

Of course, many new collectors go overboard at first and quickly find that they have more art than they know what to do with. Instead of operating according to impulse and buying anything that is even remotely appealing, Welsh advises new collectors to be very discerning at first, noting that a collector should never buy anything unless they plan to immediately frame or display the piece in their home. While every collector should have a system for storage — flat files are great for this purpose — indiscriminate early purchases will prevent the buyer from being able to see their collection evolve over time according to their changing tastes.

Collecting on a Budget

Welsh provided some wonderful insight regarding art collection, noting that there is simply no getting around the fact that collecting art is an exceptionally expensive endeavor. This is often the reason beginners see collecting art as something they would like to do but simply cannot afford, but that is something of a misconception. For those operating on a limited budget, it is best to focus on new, up-and-coming artists whose work has not yet made it into the public consciousness and is therefore undervalued.

This strategy holds a number of benefits, including the fact that it allows the collector to make an important contribution to a burgeoning artist by serving as something of an early benefactor. It is very difficult to begin an art career, and one early sale may ensure that a talented artist continues to pursue a career in the art world rather than giving up for something more financially stable. This benefits art in and of itself, and it certainly doesn’t hurt that there is always a great deal of potential future value in the early work of an artist, especially if they are able to achieve acclaim for their future artistic works.

Art Appreciation, Not Asset Appreciation

One of the most common mistakes made by new art collectors is a matter of perception. It becomes very easy to look at works of art as an investment, and it is impossible to deny that there are many collectors who have made a nice profit by investing in fine art. As a beginning collector, however, it is important to view collecting as a form of art appreciation with little regard for a potential return on investment. New collectors should focus on art they wish to see displayed in their home for many years to come, and if its value happens to appreciate over time, then it should be viewed as nothing more than a nice bonus.

Art Dana Sibilsky

David Kravitz’s Book Helped Promote My Art

Published by:

I know the last few posts have been about how to tell your art and turn your passion into more than pennies and I’m back again to give you another tool to use to your advantage as well as a quick review on this amazing tool. Ready? The tool in question is an amazing book I’ve been reading by David Kravitz called, “How to Monetize Twitter, Facebook, Snapchat, LinkedIn and Other Social Media Sites.” Whew! That long title will take the wind right out of you!

51x54WJHU7L._SX331_BO1,204,203,200_What is this book about? Well, I’ve been reading it for only a week and it has taught me that I’ve been using my social media sites completely wrong. I always knew I could use them to promote my art, advertise and sell my art, but I had no idea how. Not anymore! David Kravitz’s book goes in depth teaching the fundamentals of what it takes to accomplish your goals and be productive on websites that most people are using to share cat pictures.

I honestly suggest you pick up this fine piece of reading material and start changing how you use your everyday tools.

Art Dana Sibilsky Opinion

Can’t Sell Your Art? Fix These Mistakes!

Published by:

Its a certain truth that business nowadays is more focused than its ever been. To stay alive nowadays, you simply cant simply offer a quality item at a reasonable cost. Nowadays, you need to know how to advertise successfully.

From concentrating on various organizations, consultants and business people, I’ve seen a couple botches that were shared between the ones that fizzled. These mix-ups are in no specific request, so on the off chance that you are hoping to drive your deals for your work of art, don’t quit perusing just yet! In the event that maybe a couple of these missteps dont apply to you, then you ought to salute yourself! You should as of now be headed for promoting achievement!

Failure # 1: Your business concentrates on itself rather than on your clients.

Does this appear to be excessively self-evident? Look through your business index in the phone book. Go on, take a good look through. Answer me this: are the majority of the advertisements letting you know what advantages you get if you become a client? On the other hand, are the advertisements letting you know about the merchants? Where they are located? How glorious they are? Their main service? How incredible their quality is? How awesome their administration is?

You being so self-absorbed is the thing that murders a large portion of you’re promoting. From pamphlets to flyers, and direct mail advertisements to commercials, your showcasing message ought to tell your prospects that you are concerned just with what they need!

Anything about you ought to dependably come last. Your customers, clients, benefactors, patients ought to dependably start things out. Always. Instead of talking about who YOU are, talk about how THEY win!

Failure #2: You Fail To Determine Specifically Who Your Market Is And What Their Wants And Needs Are.

Ninety percent of the organizations out there never decisively figure out who their business sector is, and what the business sectors craving, needs, needs, and interests are.

This is a costly slip-up you can’t afford.

Why does your client purchase from you? What do your clients need or need most in the items or administrations you offer? You have to concentrate on finding what the why is with the goal that you can center your showcasing endeavors to demonstrate your prospects that you can meet the why in the most attractive style.

In the event that you need to possess your business, figure out what your clients genuine needs are. Find their cravings. Pursuit out their interests and needs. When you have this data you will be outfitted to corner your business. To put it short, just fill a need.

Failure #3: You Fail To Capture Your Customers & Prospects Names And Addresses.

Of all the advertising slip-ups to make, I feel that this has brought on the loss of a huge number of dollars consistently more than some other. Yet it is by a wide margin the most straightforward oversight to remedy! I don’t know why, yet over 70% of the organizations in America absolutely never try to stay informed regarding their dedicated clients, not to mention any prospects! Your mailing list, or client database is your greatest wellspring of lifetime benefits!

You should do nothing more than build up a precise method for staying informed concerning them, and requesting that they purchase from you all the more regularly. PC databases are anything but difficult to get a hold of, and more reasonable than any other time in recent memory. On the off chance that you would prefer not to trouble with PCs, that is OK. Simply make up and hand-compose on a client record card, that has your clients name, address, and telephone number on it. A basic notecard would do pleasantly. You ought to likewise incorporate fundamental data like: what they’ve purchased previously, what they’d like to purchase from you, and so on. A rundown like this opens the way to building up a gainful, long haul relationship. That is the thing that business is. Not cash, but rather connections.

Art Dana Sibilsky Opinion

Dana Sibilsky—Are Artists Today Lazy?

Published by:

I got curious as I normally do every once and a while and decided to do a comparison. I asked myself, “What is the difference of art hundreds of years ago and art today?” One could only wonder and so I began my research. What I found disappointed me as an artist. In the picture I provided, you can see the detail in each individual person. The lighting is just right, the shadows, you can get an idea of what is going on in this image. In fact, you can actually see the passion put into it. If anyone knows anything about me, they know I am serious about passion and the role it plays in our lives.

In the image under the first, you can see the “art” on the wall. What is artistic? Where is the passion? The effort? Where is anything? It’s a giant red canvas with some vertical lines. From the research I have done over the past 24 hours, I am now asking myself, “Have we gotten lazy as artist?”

Obviously there are specialists who are sluggish and untalented. In any case, that is not distinctive to whatever other field, there are dependably trick craftsmen and imposters holding up to exploit individuals and the craftsmanship world is the same.

The craftsmanship market depends intensely on notoriety and advertising meaning certain people enjoy a certain time of art. It’s like asking someone who is into a rock music and listens to genre they do not connect with if music is going downhill. In other words, know your audience. Every craftsman is a brand in themselves and numerous individuals have effectively abused that certainty. Be that as it may, when I say ‘apathetic and incompetent’ in reference to such individuals, it’s just in connection to the generation of fine art. To be effective they would in any case need to put a considerable measure of exertion into systems administration and showcasing.

A reasonable correlation may be with a pop-performer that has never figured out how to play an instrument or read music or learnt to sing. They likely still needed to put a considerable lot of time and exertion into getting to their position, just very little of it went into music.

However, nevertheless as pop performers, not all specialists that paint only hues are untalented. You can’t reject everything in the same kind with a handwave like that. A few craftsmen who paint conceptual works are extraordinarily committed to their art and profoundly in fact gifted. The answer is to invest some energy considering the work, you can’t see a sketch initially, it sets aside time to comprehend it and here and there you have to see a couple of the craftsman’s attempts to get a thought of what they’re on about. Much the same as that collection that sounded sort of exhausting the first run through however completely turns into your most loved unsurpassed music after you hear it out a couple times, your mind can set aside a touch of time to adjust to another visual tasteful.